Austerity Of Poetry

That son of Italy who tried to blow,
Ere Dante came, the trump of sacred song,
In his light youth amid a festal throng
Sate with his bride to see a public show.
Fair was the bride, and on her front did glow
Youth like a star; and what to youth belong--
Gay raiment, sparkling gauds, elation strong.
A prop gave way! crash fell a platform! lo,
'Mid struggling sufferers, hurt to death, she lay!
Shuddering, they drew her garments off--and found
A robe of sackcloth next the smooth, white skin.
Such, poets, is your bride, the Muse! young, gay,
Radiant, adorn'd outside; a hidden ground
Of thought and of austerity within.
Matthew Arnold
Matthew Arnold

Matthew Arnold (born December 24, 1822, Laleham, Middlesex, England—died April 15, 1888, Liverpool) English Victorian poet and literary and social critic, noted especially for his classical attacks on the contemporary tastes and manners of the “Barbarians” (the aristocracy), the “Philistines” (the commercial middle class), and the “Populace.” He became the apostle of “culture” in such works as Culture and Anarchy (1869). His literary career -- leaving out the two prize poems -- had begun in 1849 with the publication of The Strayed Reveller and Other Poems by A., which attracted little notice -- although it contained perhaps Arnold's most purely poetical poem "The Forsaken Merman" -- and was soon withdrawn. Empedocles on Etna and Other Poems (among them "Tristram and Iseult"), published in 1852, had a similar fate. In his poetry he derived not only the subject matter of his narrative poems from various traditional or literary sources but even much of the romantic melancholy of his earlier poems from Senancour's Obermann. His greatest defects as a poet stem from his lack of ear and his frequent failure to distinguish between poetry and prose. His significant if curious estimate of his own poems in 1869 was that they represented "on the whole, the main movement of mind of the last quarter of a century."

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