Quiet Work

One lesson, Nature, let me learn of thee,

One lesson which in every wind is blown,

One lesson of two duties kept at one

Though the loud world proclaim their enmity—

Of toil unsever'd from tranquility!

Of labor, that in lasting fruit outgrows

Far noisier schemes, accomplish'd in repose,

Too great for haste, too high for rivalry.

Yes, while on earth a thousand discords ring,

Man's fitful uproar mingling with his toil,

Still do thy sleepless ministers move on,

Their glorious tasks in silence perfecting;

Still working, blaming still our vain turmoil,

Laborers that shall not fail, when man is gone.

Matthew Arnold

Matthew Arnold (born December 24, 1822, Laleham, Middlesex, England—died April 15, 1888, Liverpool) English Victorian poet and literary and social critic, noted especially for his classical attacks on the contemporary tastes and manners of the “Barbarians” (the aristocracy), the “Philistines” (the commercial middle class), and the “Populace.” He became the apostle of “culture” in such works as Culture and Anarchy (1869). His literary career -- leaving out the two prize poems -- had begun in 1849 with the publication of The Strayed Reveller and Other Poems by A., which attracted little notice -- although it contained perhaps Arnold's most purely poetical poem "The Forsaken Merman" -- and was soon withdrawn. Empedocles on Etna and Other Poems (among them "Tristram and Iseult"), published in 1852, had a similar fate. In his poetry he derived not only the subject matter of his narrative poems from various traditional or literary sources but even much of the romantic melancholy of his earlier poems from Senancour's Obermann. His greatest defects as a poet stem from his lack of ear and his frequent failure to distinguish between poetry and prose. His significant if curious estimate of his own poems in 1869 was that they represented "on the whole, the main movement of mind of the last quarter of a century."

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